5
For instance, you sit
in a living space that is
rather consistent in
design. While in that living
space you are subject
to various other consistencies
which are of human
make. Even the sixty cycle
frequency of the
electrical configuration can and does
qualify as said
conditioning. This, combined with
whatever other
electromagnetic elements you may
frequently experience,
then renders… just say for the
sake of argument, an
imprint of sorts within that
conditioning upon your
mind… which obviously, is
roughly relative to
that very contained space.
Further, it is that
even conditioning alone attributes
to this confined
perspective… that is in meaning to
convey, that the
consistent experience of a given
space, then eventually
sets in as a representation to
some degree.
Further then, when
considering this direction of
thought, it then
becomes a much easier thing to
consider the various
effects of something such as
headphones. Further
within that then, is the
consistent
conditioning derived from the various and
varied symmetries
within the consideration of where
the information you
are experiencing, was produced.
Not to mention the
harrowing effect which results
when it is that a
rubber chicken is present within
such an area of
confinement.
To make this a bit
more clear, the artificial
atmospheres
consistently utilized and constantly
present in most modern
forms of musical (and other
electronic)
entertainment, are just that. The actual
space and expanse
which transpires in relation to
said “capacity” is
only to the size and even shape
when you think about
it, of the areas and rooms in
which, from which,
said entertainment was
produced. Many said
“rooms” being of different size
and shape themselves,
which then creates a rather
entertaining visual in
thought when considering the
motion and interaction
of it all. That then, is again
limited – more so
amplified in effect within the very
nature of
electromagnetic frequencies, and within
that amplification
arises said limitations.